Extra! Woodstock Mania, part 3

Woodstock Four The John Cuneo Woodstock Express

woodstock

John is an illustrator that I’ve worked with through the years, and it was great to finally meet him and his wife, Jan, when we pulled into Woodstock from Connecticut. John and Jan live in a house that was part of the Robertson spread, mostly used as a crash pad and rehearsal space during the time of The Band’s Woodstock years (John says that one visitor, returning to the scene of his old band days told him “I’ve had sex in every room of this house!”). We settle for a fine lunch and conversations that range far and wide. Later, concerned that we haven’t seen enough, John puts on a guided tour of the locale, taking in Dutch barns, The Levon Helm Memorial Boulevard, the Byrdcliffe theatre (located just above what was Bob Dylan’s home, and the slopes of Overlook mountain). After fond farewells we take our leave later than we should and end up lost in the wrong part of NYC in a snowstorm (that’ll teach me to say we didn’t need satnav), and are saved by the directions of a Josh Homme lookalike police officer, wearing the largest bullet-proof vest I’ve ever seen, printed with the words Strategic Tactical Unit. Finally we sink into the warm snug of the Marlton Hotel in Greenwich Village (where Jack Kerouac penned the Subterraneans). Later, I find this version of “Up on Cripple Creek” – shot at the same time as the better-known clip of “King Harvest” – recorded in John and Jan’s house. Great loosey-goosey drums in the false start, Levon’s cigarette insouciantly dangling from his lips, and a great moment where Garth decides to stroke his beard rather than play the wah-wah clavinet line…

Woodstock Five East Village Night
As our old friends Rick and Liney guide us through the doors of the Summit Bar, located in the old Alphabet City section (so named because of Avenues A, B, C, and D, the only avenues in Manhattan to have single-letter names) we are struck by two things. One is the unique bouquet of cardamom, as the bartender infuses sugar spirit with the world’s finest pod, and the other is the sound of Levon Helm singing “Up on Cripple Creek” – I mean, what are the chances? Hearing this, Rick says, “Do you remember his great part in The Shooter?” I’d forgotten it, but Rick brings it all back home… Mark Wahlberg plays a sniper caught in a double-cross and set-up by a hawkish senator and, in the scene in question, drives up to a house deep in the woods. He glances at his companion, saying, “Welcome to Tennessee, the patron state of shootin’ stuff” and they get out of the truck and knock on the door. What follows is another of Levon’s great film cameos…

 

Wahlberg (Bob Lee Swaggart): “Suppose I was looking for a man to make a 2,200 yard cold-bore shot? Who’s alive that could do that?“
Mr Rate: “Seems I heard about a shot like that bein’ made not too long ago – said the guy’s name was Bob Lee Swaggart – never met the man so I wouldn’t know.”
Wahlberg replies, “Yeah, they said that alright”.
Mr Rate: “They also said artificial sweeteners were safe, WMDs were in I-raq and Anna Nicole married for love…!”

We eventually tumbled out of the Summit and into the warm embrace of the great staff at Kafana across the road, where we drank Serbian Cabernet Sauvignon and put the world to rights. And so our Woodstock-related adventures came to an end, but if you are interested in the music that was made there and the history of how a small town in the Saugerties came to be such an artistic and musical powerhouse, read Barney Hoskyns’ fine new book, Small Town Talk.

Oh, and Five Things gold awards to: The Marlton Hotel at 5 West 8th Street, The Summit Bar at 133 Avenue C (try the oysters) and Kafana, a great Balkan restaurant at 116 Avenue C.

Postscript. I took a copy of Small Town Talk to give to John. A few days later he emailed, saying how much he was enjoying the book, and attached this…

!dylanbassett

 

Five Things, Wednesday 3rd September

I read John Banville’s new Philip Marlowe novel, The Black-Eyed Blond
There’s a few minor niggles with some of the vocabulary, and certain phrases cause the modern world to intrude in an otherwise strong evocation of Los Angeles in the early 50s, but I really enjoyed it. It’s set soon after The Long Goodbye and serves up the usual ingredients in a satisfying meal of corruption, drugs and mysterious women. “As I rounded the corner of the house and approached the conservatory, I heard the sound of a piano and stopped to listen. Chopin, I guessed, but I was probably wrong – to me everything on the piano sounds like Chopin. The music, tiny from this distance, seemed heartrendingly lovely, and, well, just heartrending. Imagine, I thought to myself, imagine being able to make a noise like that on a big black box made out of wood and ivory and stretched wires.”

I want Fred Bals’ job
Mick Gold sent me a link to this site. Fred gets to track down Dylan-related things like this: “In July of of 2010, I was commissioned to discover the name of the photographer – and, if possible – locate the original of this photo of Bob Dylan, used as the cover for a mono EP (French CBS EP 6270) released in March, 1966.” My favourite of the three tales of great detectiveness on his blog is this: “I was commissioned about a year ago to see if I could locate a specific photo taken during (actually, after) Dylan’s visit to Andy Warhol’s Factory in 1965.” It’s the story of Andy Warhol’s Double Elvis, a gift to Dylan, who proceeded to get Victor Maimudes to strap it to the roof of his station wagon and drive it to Woodstock. And speaking of Woodstock…

We catch up with our brilliant Woodstock Correspondent…
John C: Greetings from Woodstock, the town where “Woodstock” didn’t happen (but don’t tell that to the tourists that flock here all summer to snatch up tie-dyed t-shirts and and inhale the local vibe). Saw your post about Larry Campbell (who I see around town) and thought I’d check in.

Yesterday, while talking about Australian bass player Tal Wilkenfeld with David Sancious in an Italian restaurant in Woodstock, he told me that Jeff Beck does an amazing Jackie Mason impression – and that he broke it out on the ride back to the hotel after a gig in Tokyo. (I almost apologize for the head-spinning cultural mash up in that sentence, but there it is). btw, who had a better R&R Hall of Fame evening than David S? Inducted and performing with the E Street Band and also playing with Peter Gabriel during his induction  performance, and getting a mid-song shout out, by name, from both Brooce and Gabriel (in “Kitty’s Back” and “In Your Eyes” respectively). While I gushed right in his grill, David was typically gracious about the whole thing. Said that the HBO broadcast allotted everybody two songs, so “The River” and, regrettably, a terrific version of “Digging In The Dirt” went un-televised.

Was hunched over, doodling on a placemat  at an otherwise empty bar a few weeks back when Donald Fagen came in to pick up some takeout. Afterwards I asked the 22-year-old bartender if it’s exciting when that kind of thing happens. “What, when a guy comes in for takeout?” she said. No idea at all. The name Steely Dan also drew a blank – “So is his name Don or Dan?” Next time I saw her, she  related (somehow triumphantly I think), that David Bowie was in few days later, and that she had to be told who he was after he left as well. Christ, I’m old.

Same place the other night was introduced to Eric Kaz (“Cry Like a Rainstorm” and “Love has No Pride” – that one written with Libby Titus, Fagen’s wife and Levon’s ex etc…) Seemed like a funny, humble guy. I won’t even get into my wife walking the dog this past weekend, when a mom (Amy Helm it turns out)  playing in the yard with her kids, flagged her down to ask about Golden Retrievers. She’s thinking of getting one to scare off the bears, who have become a nuisance around here this summer. Never even mind locals Jack DeJohnette and Sonny Rollins dining at the Red Onion, or Happy Traum or…

Anyhow, to a guy that hasn’t seen live music in years and who rarely even leaves the house, it seem like musicians are coming out of the woodwork (or, more accurately, the woods) up here. Hey, did I mention seeing Milton Glaser at the Bear Cafe? Now there’s  a Rock Star…” John adds: “Feel free to share, but don’t make me come off as a craven celeb whore.” Heaven forfend, John, this is just excellently interesting.

We visit the Abba Museum in Stockholm
As weird as you may expect it to be. Through the gift shop (which, for extra profit, is by both the entrance and the exit) with its SOS Elastoplast packs and Honey, Honey jars of, well you know what (although the missing third Honey unaccountably annoyed me). Then you’re into a Swedish Folkfest forest where you get the early bios of Benny, Bjorn, Agnetha and Anni-Frid, before arriving at the “Eurovision” Star Guitar and a roomset of Polar Studios – the piano on the far left of the photo is twinned to Benny’s in his home studio and plays in the museum when he plays at home – I know, bonkers! Must be troubling for the nighttime security guards. Their writing cabin on an island in the archipelago is also featured, as is that fantastic piece of graphic invention, the reversing of the first B, seen here in a fine sign. You can mix their records, sing along with the backing tracks, and appear on stage with a holographic Abba. There is a circular room which has record covers from their entire career (and the gold discs they earned) lining the walls while their costumes glitter away in curved glass cases. It’s not for the faint-hearted.

Abba

…and watch the Homeland Season 4 trailer
This time Claire Danes and Mandy Patinkin are joined by Corey Stoll, last seen as Peter Russo in the exceptional House Of Cards, playing the US Ambassador to Pakistan. There’s Harvest-era acoustic, bass and drums on the soundtrack for this one, as Emily Jane White’s “Hole In The Middle” tells us: “Everybody’s got a little hole in the middle/Everybody does a little dance with the devil…”

Extra! Accompanying my mother on an MRI appointment
…there’s a choice of music whilst you lay down in the clattering contraption. Anyone for Blood On The Tracks or Born To Die?

MRI

 

Five Things: Wednesday 17th April

Words Fail, pt. 73
From the Evening Standard: The soundtrack to David and Samantha Cameron’s marriage is an album of Depression-era US folk music, the PM’s wife has disclosed. Time (The Revelator) is a 2001 collection of austere narratives by Nashville singer Gillian Welch. Peter Mensch, manager of rock stars such as Metallica and husband of ex-Tory MP Louise, discussed the Camerons’ tastes at a Tory function. “I asked Samantha Cameron, ‘Why Gillian Welch?’,” said Mensch, who manages the singer and invited the couple to her Hammersmith concert in 2011. “She said, ‘There was a record store  in Notting Hill where David and I used to live. I would say to the guy with the purple mohawk: “What should I be listening to?” He sold me Time (The Revelator). For the past 10 years David and I listened to it all the time’ .”

Lana Del Rey, Chelsea Hotel No 2
Nicely simple and atmospheric version of a song its author has often felt uneasy about. I’m not even sure anyone but Leonard Cohen should sing this, but the solemn and melancholy tune is a draw to a certain type of singer. I think my favourite version is actually Meshell Ndegeocello’s, where she creates such a slowed-down, sultry arrangement that it seems that she’s only singing the song for one person to hear, not an audience. I don’t think it’ll be on the setlist next week at Ronnie Scott’s.

From Our Woodstock Correspondent
The road from RT 28 to W’stock, formerly rt. 375, will be officially re-named Levon Helm Highway. Meanwhile, all Robbie has named after him is the house next door, and that’s not even official. (But a couple has moved in and are done a nice job renovating…) as ever, john c

What I Say
Yeah Yeah Yeah’s notice, posted on the doors of Webster Hall, New YorkYeah

Killing Them Softly
The soundscape of this beautifully shot film based on George V Higgins’ fine book, Cogan’s Trade, and recently released on DVD, is fantastic. It’s worth watching just for that, from the opening credits of crunching footsteps underneath a voiceover of Obama on the election trail. The election is a presence throughout the film, playing on TVs in bar and on car radios. From the creak of car seats, the roar of throaty engines and the rain on the windshield, to the clangs of echoing hallways, real care is taken. Music supervisor is Rachel Fox, piano pieces and musical ambiences by Marc Streitenfeld. Take a bow.

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