ONE JAZZIE B: FROM DOLE TO SOUL, BBC 4
This documentary started lazily, but gradually sharpened up to be a fascinating portrait of black experience in 80s London. “The media painted us all with the same brush, but we were all different strands of that brush… not everybody in south London and Brixton enjoyed West Indian food – no we didn’t. We were sick of chicken and rice and dumpling and all that stuff, ’cos that’s what we were raised on. We aspired to the Wimpy Bar – we wanted to eat chips. I was born and raised in England. I wanted to be like my mate at school. I wanted to go fishing down on the River Lea. I wanted to play Subbuteo, I wanted to roller skate. I wanted to have those kind of experiences. I played Ice Hockey, for Christ’s sake!”
TWO RICHARD HARRIS IN A COMMENT ON thebluemoment
On a post about the Stones’ new album: “May 12, 1963 (Sunday) they played an afternoon “R&B” session at The 51 Club (Ken Colyer’s place). We were in London, up from Wales for the opening concert that night of Ray Charles’ hugely anticipated first British visitation, so wandering through Soho just to kill time, we drifted in. Yes, they cranked through the Chess Best Of anthology rather well, loud and tight, and with embryo attitude! I do remember they also did “I’m Moving On” with a two chorus break, the second with the bass lifting up an octave. We stole that! The Stones at a pivotal, enthusiastic point and Ray & that Band on one London Sunday… to be alive etc…”
THREE LORRA LORRA ROBBIE ROBERTSON THIS WEEK…
from an animated (!) interview by Andy Kershaw on Radio 4, to a very interesting Michael Simmonds piece in Mojo. The Kershaw interview felt to me to be treading old ground (the Starlight Lounge story is told in the Last Waltz and in every book about the Band ever written), but reading the interview in Mojo reminds me that there’s more than one side to any story. I was idly looking at robbierobertson.com when I came upon this gallery of his guitars. I singled out one Telecaster, partly because of its extraordinary appearance, partly because of its extraordinary history.
Then I went off on a detour around Chuck Berry. First, a wonderful piece by Peter Guralnick, where he discusses a series of meetings with Chuck Berry, where the subject of poetry’s influence on the words of Berry’s songs comes up.
It’s here, too, in this interview shot for “Hail! Hail! Rock ’n’ Roll”, with Robertson and Berry looking through Chuck’s scrapbook. It’s fascinating how subtle and tender Berry’s thoughts are.
FOUR A LOVELY IDEA…
Tyler Coates in US Esquire on the news that no, Bob won’t go to the Nobel Ceremony, but yes, he has written a speech for it: “Usually when one RSVPs “no” to an invitation, it isn’t necessary to submit a long explanation or – perhaps even more ballsy – a script to be read to the people who did show up to the party. Then again, we’re talking about a guy who ghosted on the people who simply wish to bestow upon him one of the world’s most coveted awards. Would it be too much to ask for a member of the Swedish Academy to stand up in front of the crowd, silently hold up Dylan’s speech on cue cards and drop them to the floor?”
The reality was a moving rendition of “Hard Rain” by Patti Smith, beautifully chronicled here by Amanda Petrusich on newyorker.com (she’s the author of Do Not Sell at Any Price: The Wild, Obsessive Hunt for the World’s Rarest 78rpm Records, a fantastic book.)
FIVE REST IN PEACE, HERB HARDESTY
Not only a kick-ass saxophonist on those great Fats Domino records out of New Orleans, but for those of us who saw Tom Waits touring in ’79, a fabulous trumpet player, too. Follow this link to hear him on the glorious medley of “Summertime/Burma Shave” essayed on that tour. Apparently, his trumpet was custom-made by Henri Selmer Paris, one of two made in France by a master craftsman; the other was owned by Louis Armstrong.
AND FINALLY… PHOTO OF THE WEEK
Halfway up the Atlas Mountains in Morocco, we come across this…
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