Sweet-toned Irish jazz guitarist, and a kind and gentle man, at whose feet I sat a few times in the late 70s. It was usually at the Jazz Centre Society in Covent Garden, as I attempted to figure out how a camera worked. Nikkormat FT-N, 35mm lens, Tri-x pushed to 1600 ASA.
TWO THAT MAN BISCHOFF AGAIN
Now, that’s an interesting approach. Pitchfork wrote that listening to the album whilst being aware of the process “is like imagining someone filling an Olympic-sized pool with an eye dropper: the mind balks, both at the enormity of the undertaking and at the disposition of the person behind it.”
For his next one, he almost did that: “Bischoff began recording the album Cistern in an empty two million gallon underground water tank under Fort Worden in Port Townsend, Washington. The size of the space was a huge factor in the development of the album. In an interview Bischoff described how “the vast emptiness of the cistern generates a reverb decay that lasts 45 seconds. That means, if you snap your fingers, the sound lasts 45 seconds. That amount of reverberation is an absolutely wild environment to try to create music in.” He was bought up on a sailboat, which sort of explains the ukelele…
Oh, and he played a very gorgeous bass guitar at the Proms, a kind of glammed-up version of McCartney’s Hofner violin bass. He also played chords on it at various points, a sound I love. Hear his arrangement of “Ashes to Ashes” in the music player on the right.
THREE ANOTHER GREAT DAY IN HARLEM
Bob G sends me a link to this fascinating interactive piece in the Daily News, which shows just how many backgrounds and genres within Jazz that extraordinary amalgamation contained. Click on any musician to hear a performance clip. Hats off to Art Director/Photographer Art Kane.
FOUR JONNY TRUNK’S FRIDAY 50p MAILER IS ALWAYS FUN…
“Also this week I got sent this ace film about The Mellotron by someone on the mailing list. It’s great and stars Richard Nixon, who used to have a magic show on the TV – his able assistant at the time was the divine Anita Harris, who possibly still opens the Barnes Jumble Sale twice a year. Let’s hope she does…” The clip is terrific, until David Nixon – not Richard, sadly, as the Richard Nixon Magic Show has a great ring about it, especially as his nickname was ‘Tricky Dick’ – actually plays. Obviously none of the members of King Crimson or the Moody Blues actually saw this Pathe demonstration or they would never have bought Mellotrons in the first place. There’s a fascinating shot of the tape loops inside the cabinet, followed by a professional pianist playing, who is actually worse than David Nixon.
FIVE RIP PRINCE BUSTER
Richard Williams wrote a very nice piece on thebluemoment about the Prince – and just check out the bassline on this baby…
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