ONE THERE’S POOR, AND THERE’S REALLY POOR
A bar/cafe at Stansted Airport, themed around illustrious musicians (sadly, I kid you not). In reality this means a wall of Black and White 12 x 15 framed prints, and this, a wall of names, graphically arranged.
So we have the ungainly clashes of Muse/Fish and Chips, and Uriah Heep/Fresh, and Depeche Mode seem to have merged with the Rolling Stones… And don’t forget the legendary Ozzy Osb, and Ethro Tull. “I’ll have the Rod Stewart Inergarder, please…”
TWO FOR ART’S SAKE…
I’m really appreciative of Sky Arts, although they have a worrying tendency to hire people to make programmes about themselves, saying how great they are. They rock this approach with Melvyn Bragg’s hymn of praise to The South Bank Show now that it’s left ITV for Sky. Almost two hours of weirdly unsatisfying clips from thirty years of programme-making, linked by Melv standing coldly on various bits of the windswept South Bank and bigging up himself, before cutting to people like David Puttnam who also big him up. Strange.
I’ve just started another Sky Arts series, Rolling Stone: Stories from the Edge, a history of the magazine. I may be sensitized to this puffery as I’ve just Read 50 Years of Rolling Stone, a (somewhat) entertaining hagiography that I’m reviewing. The documentary comes laced with the same sense of baby-boomer self-congratulation as the book – I assume all this RS looking back activity was an attempt to drive up the price before Jann Wenner sold the company. Anyhow, the first episode reminds you of the brilliance of its writing in the Sixties, especially Hunter S Thompson on Nixon, interesting to read at this point in history:
“This may be the year when we finally come face to face with ourselves – that we are really just a nation of 220 million used car salesmen with all the money we need to buy guns and no qualms about killing anybody else that tries to make us uncomfortable. Jesus, where will it end – how low do you have to stoop in this country to be President? It is Nixon himself who represents that dark, venal, incurably violent side of the American character. He speaks for the werewolf in us, the bully, the predatory shyster who turns into something unspeakable on the nights where the moon comes too close”
THREE YOU WON’T BELIEVE YOUR EARS…
…as Buddy Holly calls his record company to ask for his songs back. A man never far from a tape recorder, he turned it on for the call. Found via Messy Nessy’s 13 Things I Found on the Internet Today.
FOUR I POST THIS WITH NO COMMENT…
Nando’s has opened a music studio at one of their main London restaurants, giving budding musicians the chance to lay down their own tracks while chowing down on chicken, reported the NME. The studio has been opened at Nando’s in Frith Street, Soho, and will give successful applicants the chance to record their own music with the help of an in-house studio engineer and pioneering equipment including a Neumann U87 microphone. “We’re really excited to open our first music space, both for our growing network of artists and also for our fans looking for a unique experience in the restaurant. Some of the best ideas have started over Peri-Peri (or so we’re told), so we’re looking forward to hearing what happens when we bring together chicken and tunes!”, a Nando’s spokesperson said.
FIVE PRANCING IN THE STREET!
What happens if you take the music away from Mick Jagger and David Bowie’s take on “Dancing in the Street” and cruelly imagine how the vocals may have sounded as they danced? This…
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