Five Things: Wednesday 2nd April [Late]

Oxfam Remembers The Great Skip James, Marylebone High Street

Oxfam

 

Jesse Winchester: Not Dark Yet
…although news travelled around that it was. Looked out his great first album, on Ampex (a tape manufacturers’ short-lived attempt to run a record label), and listened again to a fine set of songs, helped along by Robbie Robertson’s light-handed production. And what now seems an envelope-pushing fold out sleeve…

Jesse

 

Loved this Patti Smith Questionnaire
Favourite song That No One Else Has Heard Of: “The… song that I think of is “If I Can’t Have You” by Etta & Harvey. Etta James used to sing with Harvey Fuqua and it’s an awesome song. No one knows about it – I’ve asked a million people, do you know this song by Etta & Harvey? And there’s just something so… it’s a very sensual… it’s a badass song!” Check the elongated “I” just before a minute in, from Etta, and the “Well-a-hooo” that Harvey follows with. Sensational. And in the week that my sister-in-law gives birth to a baby girl called Etta, most appropriate.

Lunch With Sammy & Louise Rimington

Sammy

 

1970 Jazz Fest poster, bass drum in the basement (with a calfskin head that Sammy had fitted, Sammy playing his 1982 Fender Telecaster Elite (a commercial unsuccessful attempt to do a Fender version of a Gibson Les Paul Recording model) and the mandolin that Sammy will take to this year’s Jazz Fest for his string band with Sava Venet.

George Harrison Selfie, Taj Mahal, sometime in the Sixties. Cool wide-angle.

George

 

Five Things I Saw & Heard This Week: Wednesday 4th April

Acoustixx
Could you sound like the xx with just a cheap acoustic guitar and a cassette tape machine meant for accompanying karaoke? Willis Earl Beal can. Young, black, Southern, heartbroken, can draw, could soundtrack Juno. Evening Kiss is beautiful, insistent, mournful, touching. “This record was recorded on bad equipment. I like it that way.” Amen.

Churn, Churn, Churn
To everything there is a season… and it seems that right now it’s a fashion season, belonging to Flo and Lana. It used to be that it would take a good few years for pop or rock stars to get sucked into other orbits such as film or literature, but now the career path is Voguealicious. Is this diversification, to make the Fame Moment™ last longer? We’ve had Flo and Karl, sittin’ in a tree, yet Stylist’s cover story this week says that, “despite two number 1 albums and 18 awards Florence Welch is a reluctant star.” Really? Reluctant? It sure looks it, in the 327 full-page pictures they’ve run of her. To be fair, it’s a good interview that does paint her as someone who accepts all of this so that she can do the work she cares about… And Lana, first whispered about in September last year, now (already!) the recipient of the fashion equivalent of the Légion d’honneur, a Mulberry bag named after her, because of her—are you ready?—“retrospective look.” As for the bag, straight out of W. Eugene Smith’s Life Magazine story, “Country Doctor,” I’m failing to see much Del Rey.

Tommy, Can You Hear Me?
Tracklist for Tom Jones’ upcoming album, produced by Ethan Johns:
Tower Of Song (Leonard Cohen)
(I Want To) Come Home (Paul McCartney)
Hit Or Miss (Odetta)
Love And Blessings (Paul Simon)
Soul Of A Man (Blind Willie Johnson)
Bad As Me (Tom Waits)
Dimming Of The Day (Richard Thompson)
Travelling Shoes (Vera Hall Ward)
All Blues Hail Mary (Joe Henry)
Charlie Darwin (The Low Anthem)

Great song choices. Do I want to hear Tom Jones sing them?
Answer: Save Me, Jesus (Bobby Charles)

The Sound Of Dobell’s
“Every Jazz fan is born within the sound of Dobell’s!”
An email from Leon Parker, announcing the launch of his resource dedicated to Britain’s hugely influential Record Shops. Charlie Gillett introduced us because of Doug Dobell’s shops on Charing Cross Road (which my dad Bill built, and where I worked as a teenager). There are some nice reminiscences on the site (to which more will hopefully be added) and I particularly liked Rob Hall’s: “It was an ambition of mine to own all the albums featured on the bags they used.” Bill had selected the albums and had them photographed by an advertising photographer he knew in Soho, who shot it on lith film for better reproduction. Accidental design, it still looks good today. www.britishrecordshoparchive.org/dobells.html

Pic(k) Of The Week
“Sometimes, if I crave silence I turn to my Land 250. The experience of taking Polaroids connects me with the moment. They are souvenirs of a joyful solitude.” Patti Smith.
I thought that maybe I’d lost this, a sweet souvenir from an installation at Fondation Cartier in Paris that “reflected 40 years of her more personal visual art-making and creative expression,” but it turned up this week. And it will never be used in anger, of course.

%d bloggers like this: