Wednesday 19th November 2014

Bob Marley’s Chains
In the week that sees Marley’s name being attached to a global cannabis brand, I find these in Selfridges. Possibly not as heinous as the clothing and shoes that came out a few years back, but still…

Bob Marley Cans

Send In The Clowns
Especially if they’re playing “Hotel California”, as this one was, deep in the bowels of Leicester Square.

Clown Hotel Calif

Keep On Running, still a cracker
Spencer Davis, as told to Dave Simpson, The Guardian:“I’d started the Spencer Davis Group when I was a linguistics student at Birmingham University. I was due to play a pub called the Golden Eagle but only had a drummer, Pete York. Someone told me to check out this combo called the Muff Woody Jazz Band. The guitar-player was Muff Winwood, who would later switch to bass, and there was this kid playing piano like Oscar Peterson and singing like Ray Charles. It turned out to be Steve Winwood, Muff’s 16-year-old brother. We played the Golden Eagle as the Spencer Davis Rhythm and Blues Quartet. Robert Plant and Noddy Holder were in the audience and, when we played there the next Monday, the queue was so big – stretching right round the block – that BBC Midlands came to film it. Chris [Blackwell] was selling ska and bluebeat records out of the back of a minivan when we first met him. One day, he played me “Keep on Running” by Jackie Edwards, a lovely Jamaican man with a pork-pie hat. I said: “We’ve got to cover that.” Jackie was thrilled with our transformation of his song. Steve had the same fuzz pedal Keith Richards had used on Satisfaction, so used it to give the guitar that distinctive raw riff. For the rhythm, I played a choppy guitar style influenced by Motown. Muff had wanted to do some Duane Eddy style bass, but I said that wouldn’t work, so he came up with that famous bassline. It almost sounds like brass. The shouting you can hear in the background is Jimmy Cliff, who happened to be in the studio, whooping with excitement.”

Drinkin’ Wine, Spo-Dee-O-Dee
In Cornwall, in the tiny hamlet of Constantine, near the Helston river, is the single finest liquor store I have ever been in. The Rowe family have run it for fifty years, and from the front it looks like a typical village convenience store. It will sell you half-a-dozen eggs or a book of stamps, but once you get past the post office counter and the family staples there are row upon row of impeccably-sourced wines and spirits, a thousand whiskies, over a hundred rums, countless tequilas and shelf-fulls of obscurities that few London stores even stock. As Andrew, the current Rowe in charge, told me: “You’ve got to offer things that others don’t, to fight the supermarkets.” And to prove it, they deliver any number of bottles, anywhere in the country, for a fiver. As this is a blog about music, here’s my tenuous connection… I have been known to buy wines just for the label (Aussie winemakers Some Young Punks Naked on Roller Skates, for example) but I didn’t pick up any of the Rock Labels shown here (although I hear that the Mollydocker Ringmaster General is great, despite having Dave Stewart on its label). If you find yourself near, go.

Constantine1

In Other News
Meshell Ndegeocello at the Jazz Cafe, and Sam Amidon & Bill Frisell at the Barbican are going to have to wait ’til next week as I don’t have world enough and time at this precise moment. As a large project wends its way to the finish line, I take this positive: working with my editor, Ben, and his melodic laptop, I have been exposed to a Tsunami of music. I’ve been kept energised by the Strokes, chilled out by the Tindersticks and cheered up by Paolo Conte. Thanks, Ben!

 

 

 

Five Things I Saw & Heard This Week: Wednesday 5th September

Black Tie White Noise
Evening Standard, last week. Bowie disputes claims made in the Observer by the V&A that he is co-curating the [Bowie Costumes] show. “Contrary to recently published reports: I did not participate in any decisions relating to the exhibition. A close friend of mine tells me that I am neither ‘devastated,’ ‘heartbroken,’ nor made ‘uncontrollably furious,’ by this news item.”

Really?
Interview with Kevin McDonald, Director of Touching The Void and Marley: “Q: Why do you think Marley’s music has proved so enduring? A: He wrote incredibly good tunes. Bob wrote more standards than almost anybody else, apart from Lennon and McCartney.” Did he? Standards? I Shot The Sheriff, Redemption Song, One Love, Three Little Birds, No Woman, No Cry, sure, but are his songs covered regularly, in the way that standards are? Marley’s number 211 on the SecondHandSongs database, a pretty comprehensive list of the most-covered songwriters, some way below Ozzy Osbourne and Marvin Gaye.

I Can Hear That Whistle Blowin’
My friend Steve Way on Duquesne Whistle: “Dylan vid weird. Like Bob is doing a phone ad song, and the director is doing a Sundance lo-fi Korean remake.” True say, Steve, but the world may be a better place for having this song in it—the chorus and thick, dirty riff are just joyous. Duquesne is a city along the Monongahela River in Allegheny County, Pennsylvania. Earl Hines, legendary jazz pianist, was born there. He signed my autograph book once.

I love that—”To, Martin, keep with it” written by Sinclair Traill, editor of Jazz Journal, who then joked around with Earl and they ended up signing their names as Sinclair Hines and Earl Traill…

“Even Cathy Berberian Knows/There’s One Roulade She Can’t Sing.”
The wonderfully titled Berberian Sound Studio featuring Toby Jones opens this week, named for Cathy Berberian, American soprano of the avant-garde. With Umberto Eco she translated works by Jules Feiffer and Woody Allen into Italian. You couldn’t make that sort of detail up. Eco nicknamed her magnificathy. Steely Dan paid their own tribute in the lyric above, from Your Gold Teeth on the Countdown To Ecstacy album.

Musical Marylebone
A few streets separate Joe’s monstrous urban flyover and John’s rather luxe pad. Of course, John’s background was rather more flyover than Joe’s…

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