Friday, May 20th

lakestreetONE LAKE STREET DIVE: A DAUGHTER SPEAKS
In the half cinema-half club that is the Scala we see Lake Street Dive. Afterwards I asked J about it.

Dad What did you think?
Daughter They were constantly surprising – there were ballads, 60s style pop, country, jazz – it really felt like being at a roadside bar, and the only thing missing was the cigarette smoke! Vaping doesn’t feel the same! 

D I thought they really looked like they were having a good time.
D Yes! They had a great rapport with the audience, and with each other. You really felt they were four friends making great music together, who just happened to be giving a concert – to another bunch of friends! In sitcom terms, Bridget the bass player looked kooky and fun, Rachael the singer was the glamorous one, one boy a little serious and studious (the guitarist), the other a little showy (the Italian drummer). He did an excellent solo on a rented kit (coincidentally painted in the colours of the Italian flag!).

D Did you have a favourite song? Had you actually heard much before we went?
D I only knew a couple, but I think “Saving all my Sinning” was my favourite live – it had a great intro about growing older and saving up all your bad decisions for a party night. And I thought the cover they did of the Kinks “Lola” was a perfect fit for their sound. I really like their sound, it’s very rich, considering there are only three instruments. Oh, apart from when the guitarist plays trumpet, but that still makes three, as he puts down the guitar!

D I think the fullness is down to subtle percussion and really nicely worked-out guitar parts…
D Yes, but I think the bassist is the key to their sound. On one song it was just Bridget behind Rachael for the first half and there didn’t seem to be anything missing…

D I thought the first encore was terrific, all of them clustered round one mic doing “Nobody Knows What I’m Doin’ Here”. I tried to video it, but I held the phone the wrong way up…
D Typical! That was great, but the song that touched me the most was “So Long”, dedicated to Prince – the sound of longing really stayed with me…

TWO ON TOM HANKS’ FASCINATING DESERT ISLAND DISCS THERE WAS…
Hands up who’s never heard Dusty Springfield’s “Doodlin’”. I can’t be the only one, surely. How did I miss it? Whoa, my knowledge has such enormous holes in it. Whatever, what a track, with its lovely slinky drumming and psychedelic strings. Oh, yes, and a spectacular lyric! Starting with “Usin’ the phone booth/makin’ a few calls/Doodlin’ weird things/usin’ the booth walls – yeah!” It continues in a restaurant: “Later the waiter/had me arrested/took me to Bellvue/where I was tested…” and at the hospital with the doctor… “Showed him hidden thoughts that linger/find an outlet through your finger”. I head over to Wikipedia to find that “Doodlin’” is a composition by Horace Silver, with lyrics added by Jon Hendricks (of Lambert, Hendricks & Ross). It has become a jazz standard. Reviewer Bill Kirchner suggests, “Take a simple riff, rhythmically displace it several times over D-flat blues harmonies, resolve it with a staccato, quasi-humorous phrase, and you have “Doodlin’”. Thanks, Bill. Time to listen to it once more, while chuckling at Hanks’ calling David Byrne “Weird Dave” as he chooses Talking Heads “Once in a Lifetime”.

THREE ROBBIE FULKS HAS A NEW RECORD OUT
I hope it matches his description of his new, redesigned, website: “The new look – from the Russian Tea Room to the Trump Tower! What a snazzy makeover we’ve gotten here at the worldwide. The friendly navigational tools are sure to make blog-reading and record-shopping like falling off a log. The magnificent (except for the subject) photos taken by Andy Goodwin provide an environmental hue so warm and deep and cosy, you’ll be tempted to bring your business partners here to butter them up and shoot them. Many thanks to Mike Sosin of the fledgling Bloodshot record label of Chicago, Ill. for bringing this website to life and ignoring all helpful input. Be sure to let us know what you think! We can’t wait to ignore you.”

FOUR SUTTON HOUSE
As the oldest Tudor House in London, Sutton House is fascinating, but when you get to the room upstairs, time periods co-exist. Over time the house had fallen into disuse, and it was squatted in the 1980s by a local group who wanted to turn it into a community centre and neighbourhood hub, but they were moved on after several months. Their aim survived, though – the National Trust took it over and it’s now used for local events as well as being a window into the past. What’s nice is that the squatters are paid tribute to by an approximation of how the room looked when they were there.

sutton

And the caption tells us that “this eye was painted by an anonymous squatter in 1985. It is said to be the emblem of the rock group PSI”. That may be Psi Com, Perry Farrell’s first group but I can’t find that image anywhere. I can tell you that the record on the deck is by the Thompson Twins.

FIVE MICK VS MILES
My friend Mick Gold had kindly invited me to a screening of “Miles Ahead” and I having said yes excitedly, sadly had to cancel. The next day, Mick sends his thoughts. “Aaargh! You didn’t miss much. For a start, the script is awful, Ewan MacGregor is totally unbelievable as a Rolling Stone journalist with a Scottish accent who knows nothing about music, there is an evil record producer who is a cardboard villain, and the whole thing is orchestrated by blaxploitation guns & car chase clichés that don’t even work.
“But I think it’s weirder than that. I don’t think it’s cynical. I think it’s a labour of love gone wrong. Maybe it reveals that Don Cheadle is a fine actor but has no taste and no writing ability. I understand he spent nine years getting the movie made – he wrote it, produced it, starred in it, directed it, crowdfunded it, and poured his own money into it. This was not some cynical quickie movie.
“The sad thing is I think Cheadle is striking as Miles: he looks good, he does the voice well. Only problem is its farrago of bad Superfly and tortured genius cliches. Not everyone was as miserable as me. There was laughter and applause at BAFTA, and I sat next to two editor friends who said to me afterwards, That was great. When I said, That was awful, their faces fell.” 

In other news, it’s BobWeek on rocksbackpages, and full of wonderful writing on the Iron Range’s favourite son, so head on over and get a subscription now… [end of marketing plug].

Comments

  1. Don’t know if the new Fulks disc matches all of the website description but It is warm and deep and cosy. A wonderful listen.

  2. Martin, what a lovely post to wake up to. Lots here for me and the great thing about your posts, is they make me delve further or they trigger memories of things I’d forgotten about…I often use the line “I’ve got that many memories, I’ve forgotten them all!”. Anyway, I caught up with the Tom Hanks’ Desert Island Discs last week..and a nice listen it was too, and “Doodlin'” is new “old” Dusty to me. Terrific. Reminded me that her “Losing You” was use as the opener on BBC’s 3-parter – Capital. The delving bit was that I looked at Wickedpedia and what came out about Dusty. Latched onto a group of British musicians/singers called The Echoes who played on some of her early solo stuff. Quite astonishing history and new to me…a continuous churn in personnel. Might be with checking them out on Wikepedia. Lake Street Drive..I get the view about a group of friends knocking things about…the “street corner” video of them doing The Jackson 5’s “I Want You Back” really illustrates it. On that Jackson note, I’ll end by saying I’ve got the new Robbie Fulks’ album and I really like, but this morning I’m going to return to his (surprising) covers album of Michael Jackson/Jackson’s toons. His version of “The Girl Is Mine” just great pop. Thanks again for setting me up for the day👌

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