Wednesday, 25th November

IMAGE OF THE WEEKjanis.jpgPolice mugshot of Janis Joplin. The Smoking Gun: “Janis Joplin was arrested in November 1969 in Florida and charged with disorderly conduct after yelling obscenities at police officers during a Tampa concert. Charges were later dropped after it was ruled that the singer’s actions were an exercise of free speech.

I KNOW YOU DON’T WANT IT, BUT A CHRISTMAS RECOMMENDATION
Who wants another Christmas album, eh? You’re right – no-one. And just walking around in any shop subjects you to the unwelcome “All I Want for Christmas” (and occasionally, on good days something as wonderful as The Waitresses “Christmas Wrapping” – which has just been covered by Kylie, I hear). However, there’s a cracker from Sharon Jones & the Dap-Kings, called “It’s a Holiday Soul Party”. Standouts are a great instrumental “God Rest Ye Merry Gents” – if you liked their side project The Menahan Street Band, you’ll dig this – and my favourite, “Ain’t No Chimneys in the Projects”. “When I was a child I used to wonder/How Santa put my toys under the tree/I said, “Momma can you tell me how this can be?/When there ain’t no chimneys in the projects”.

THUNDERBIRDS ARE GO, AGAIN!
News in from BigO: Jarvis Cocker, British conductor Charles Hazlewood, Adrian Utley from Portishead and Will Gregory from Goldfrapp will take part in full, orchestral interpretations of the themes from Thunderbirds and Gerry Anderson’s other shows. The concert will take place on December 1, 2015 at the Colston Hall, Bristol. The collective will be accompanied by the British Paraorchestra, the world’s only professional ensemble of disabled musicians. Hazlewood, conductor and Artistic Director of the Paraorchestra and All Star Collective said: “We will be bringing back to life all the iconic hits of composer Barry Gray, in the 50th anniversary year of the launch of Thunderbirds. Expect high octane, big band-fuelled live renditions from this hit TV series, alongside timeless classics from shows including Stingray and Captain Scarlett. We even have Gray’s original Ondes Martinot, the old-school futuristic electronic instrument, which is the sound of the Mysterons”. From Wikepedia: “The instrument’s eerie wavering notes are produced by varying the frequency of oscillation in vacuum tubes. The production of the instrument stopped in 1988, but several conservatories in France still offer tuition to students of the instrument”. I want one.

likeahammerinthesink, ON THE SUBJECT OF DUST/SILENCE/TIME
From an elegant post: “I am beginning to wonder if collecting recorded silences is a bit of an affliction but I remembered that I also own an album called The Sounds of Silence… a kind of Now That’s what I Call Quiet Volume 1. On this record there is a piece by Andy Warhol, made for the East Village Other magazine in 1966. It is called “Silence (Copyright 1932)”, and purports to have been created by Andy Warhol aged 4. But this silence, unlike the dust induced silence of Robbe-Grillet or the dust that slows and extends the passing of time moving towards silence in Stalker, has no duration. This is not just time stopped but time negated. Although he raged against the noise of the city, I wondered if Thomas Carlyle also wanted to deny time in his soundproofed rooms at the top of his house in Cheyne Walk in Chelsea. He had a room built within another room to exclude street noises and the sound of the piano from the adjacent house. But, though apparently sealed from the outdoor world, the wind whistled across the skylight and the sound of the next-door neighbour’s macaw still found its way into his space. Maybe in order to create silence sealing a room is not enough (as Cage noted in his visit to the anechoic chamber). And, as Warhol’s solution is impractical if not impossible – is easier said than done – it is necessary to impose the active ingredient of time in the form of dust.”

ORION, THE MAN WHO WOULD BE KING
Shown on BBC 4, soon after its cinema release – catch it if you can. Jeanie Finlay does a splendid job with one of rock’s crazier stories. Jimmy Ellis was born in Orrville, Alabama, with the voice of Elvis Presley – a huge problem when Elvis was alive, as the public already had the ‘real’ thing, but when Elvis died on August 16, 1977, and Shelby Singleton had an idea of how to fill the void, involving spangly suits, a bizarre made up name (Orion Eckley Darnell) and a mask – well, you can imagine… The film ends with Orion’s version of the great Charlie Rich song “Feel Like Goin’ Home” (written in response to Peter Guralnick’s book of the same name, one of the finest music books ever published) segueing into “Swing Low, Sweet Chariot” which is strangely moving.

CHARLES AZNAVOUR, RAH
Charles used the the J word at the Albert Hall a little while ago, a couple of weeks after Bob was there. Ninety-one, and strutting around the stage like a fit seventy-year-old, he told us stories from his career, rescued “She” from the cawing clutches of Elvis Costello’s Notting Hill cover, and gave a hundred-minute show to an adoring bunch of fans. “You know, if you come to be famous, popular, doesn’t matter if you are a singer, actor or politician or anything else, but known – you know what I mean – a money-maker, you’ll find yourself surrounded by an extraordinary entourage of people trying to be helpful in any way – for example, if they found you in bed with their own wives they would pull the cover over you in case you catch cold… [they are] a parasite, until your success begins to decline. So after you have been squeezed like a lemon, the time will come for them to sell you, betray you, to crucify you. I call this song My Friend, My Judas.” What followed was a staggering cross between Barry White and John Barry, with a side order of Bacharach’s Butch Cassidy & the Sundance Kid soundtrack.

 

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