‘January 26, 1962: Passed Dylan on the street, he said to me that he “didn’t know why so many things are happening to me.” I said that he did.’
Michael Gray writes a very nice piece on Izzy Young on the occasion of his 85th birthday. A couple of years ago in Stockholm we sat with Izzy outside his office, the Folklore Centrum, having tea with Sarah Blasko (Izzy is a magnet for any musician of a certain bent who happens to be in town). Here’s a photo of some of Izzy’s files. I’m guessing Irene relates to ‘Goodnight, Irene.’
After we leave, Sam (Charters) tells me that the last time Bob Dylan played in Stockholm, Bob’s people arranged for Izzy to meet him, and he ended up having a chat to Bob by the side of the bus. As they said goodbye, Izzy grabbed Dylan’s cheeks and waggled them, like a Jewish grandfather would do to his grandson. Security! Nobody touches Bob! Bob, however, burst out laughing… Sam said that Bob’s road manager told him it was the only time he saw Bob laugh on the whole tour…
BP Garage, Clapham Common Northside, Thursday
A man in front of me is slowly paying for petrol and weird “garage” shopping: A bottle of wine, Jelly Babies, Screen Wash, Iced Buns… so I idly pick up the new Bowie CD. He looks at me and says “Dreadful cover,” about Jonathan Barnbrooke’s white square over Heroes. I disagree and say that the fact that it created thousands of memes proves that it worked as one part of Bowie’s brilliant stealth marketing for The Next Day’s release. Who’s been that excited about an album launch in years? He smiles, says fair point, and Exits Garage Left.
We Love Site-Specific Street Signs & Slang!
“Artist Jay Shells channeled his love of hip hop music and his uncanny sign-making skills towards a brand new project: Rap Quotes. For this ongoing project, Shells created official-looking street signs quoting famous rap lyrics that shout out specific street corners and locations. He then installed them at those specific street corners and locations.” More here.
emusic Find of the Month
Marnie Stern, downloaded because of its title: The Chronicles Of Marnia. She’s a really talented “shredding” (ask the kids) guitarist who seems to have made an album that references Battles and Braids. It’s manic & great & slightly odd—fretboard squalling, swooping vocal whoops and wild drumming… Somehow I was disappointed that the cover wasn’t more like this…