Simmy Richman interview with Stephen Stills, The Independent
Is it true that you play percussion on the Bee Gees’ “You Should Be Dancing”?
We were in the studio next door making a CSN album and David was all full of himself and saying this is going to be the album of the year. I went, “No it’s not, that’s being recorded across the hall,” cos I’d heard some of that Saturday Night Fever stuff and I knew it was totally unique and going to be a monster. So I played timbales and for a long time that was my only platinum single.
You have a reputation for sometimes being short with journalists…
I had a torturous day in New York one time where someone had fed a writer this thing that I had tried out for the Monkees and failed. The truth was that I wanted to sell my songs to a hit TV show to make money. The thought of being a pretend Beatle on TV was so appalling that I couldn’t imagine it, but I went down and said I know a kid, and I sent them Peter Tork. This journalist kept saying, “But they turned you down right?” I was like, “You’re not getting the point.” So I ended up going fuck you! Often the journalist has already written the piece and all they’re looking for you to do is to confirm their obnoxious preconceptions. There’s a point where you just go – fuck fame, fuck being famous, fuck being a celebrity, fuck this. I’m a fucking musician. Take my picture and make it up.
Thanks for not being like that with me. That was an absolute pleasure.
It was. I love that I talked about all the things you were warned not to talk to me about. High fives on that!
Bruce Springsteen I
Daughter sends link to this very sweet blog entry, and while I have issues with the design aesthetics, the tale itself is funny and heartwarming.
Bruce Springsteen II
Then my inbox pops up with: “Springsteen: Saint In The City – this book covers the year from Springsteen’s birth to 1974, the year before his breakthrough album Born To Run”. Personally, I like the ‘about the author’ bit: “Craig Statham has an MA in History from the University of Edinburgh. He currently works for East Lothian Council and has previously published four successful books on local Scottish history. The author believes that to fully understand Springsteen’s recorded work it is necessary to understand the formative years that shaped him. It covers: The genealogy of the Springsteen family from earliest times; his relationships with his managers – how whenever success beckoned he would move in a new direction; the development of his drive to sound like Van Morrison and Joe Cocker (in the Bruce Springsteen Band); the fight to get support from Columbia Records and how the musicians changed the rules to all-night Monopoly sessions”.
Heard And Seen at the at the Zoological Museum
Artist in museums. Not sure that they really work, and feel they’re always overshadowed by the exhibits. So poor Sam Risley Billingham is onto a hiding to nothing with his “Structurally amassed beat-mix soundscape” when up against A Jar Of Moles.
Can anyone explain this particular bit of fashion to me? And why poor Anastasia has been forced to a) stand like that, and b) wear ‘cute’ animal ears. In the meantime, I’ll look forward to the Gil Scott Heron one.